Arts SOP

It was Remy Presas who developed Modern Arnis back in the 1960s. The moves taught in this guide is to be utilized in dangerous situations and not for competition. There is a great deal of bonus items that include the greatest mind training system, the martial arts manual of the US Marines, the secrets of Jujitsu and many other valuable guides.

In the US, students training in Bando do so under the auspices of the American Bando Association, which Maung Gyi founded in the 1960s. When you discover what others do to your techniques, you can use it to your advantage. Fortunately there is the Inner Secrets of Martial Arts Success multimedia pack, which will teach you how to do it along with other useful training.

In addition to the books, his package includes videos, and ten extra books from the public domain. With joint locks and submission techniques, lots of practice is going to be required for you to be great at it. Modern Arnis students make use of rattan sticks when they start their training, even though they also train in bare-hands defense.

Advanced Bando students also start training in animal attack routines in order to introduce them to the more difficult self-defense techniques. If you are caught in an actual fight or panic situation, you’ll react automatically without thought. They’ll have a chance to have first hand experience without getting injured if they are able to do it at a martial arts school in front of their teacher or instructor. To prevent injury, you’ll normally wear full body and head gear during practice. During the 1960s, Remy Presas created the contemporary form of Arnis. Every belt also has degrees — for instance 1st degree green belt, 2nd degree green belt, and so forth.

When they have learned the basic techniques, Bando students are then taught the empty hand forms (aka). This will help them become familiar with the basics and defensive concepts of the Bando system. It was Remy Presas who created Modern Arnis in the 1960s. This information bundle from Rod Turner will add to virtually any martial arts training you are receiving.

There are unofficial groups and schools teaching different Modern Arnis variations. It’s crucial to note that the quality of teaching varies from one establishment to another. Students master the 9 elementary kicks, punches, blocks, and so forth. In the course of training, students strike at their opponent’s rattan sticks. Nonetheless, in genuine fighting scenarios, the strikes must be made on the hands that hold the weapon to effectively disarm the adversary.

In general, however, Bando thaing includes self-protection, self-development, and self-defense. This extraordinary package includes 42 books as well as over six hours of training videos. Security systems, cops, alarms, it doesn’t really matter, when you’re under a threat, you’ll most likely be alone. All fighting styles use sparring, just like several sports, including wrestling and boxing.

Hence, Modern Arnis emphasizes guardedness and respect for the adversary. The style advocates disarming the adversary, a principle known as “defanging the snake”. The CD he produced contains videos, bonuses and 10 public domain text. One particular martial art form that makes use of sparring extensively is Brazilian Jiu-Jitsu simply because grappling exercises need another individual to practice with to be effective. As they train, students direct their attacks at the rattan sticks held by their enemy. In a real life combat situation, however, the strikes have to be aimed towards the hands holding the weapons to fully disarm the opponent. The rounds often last for a few minutes, but they vary. You may be doing a martial art style for exercise or just for fun, but if you are doing it to learn to protect yourself, sparring will make you better. Higher levels demand a lifetime of practice.

Wall arts are not strange to the interior design world. The practice of using wall arts has been around us for quite a long period of time. Through all these years, wall arts have received huge popularity and there have been various developments in the manufacturing technology of the wall arts. Unlike the olden days when the wall arts have been traditionally painted on the walls, today, the advancements in technology has made it possible to print the wall arts on any medium.

With this advancement in printing technology, the wall arts are now printed on canvas which is a very durable material. Unlike the conventional wall arts, these canvas arts do not fade with time. In fact the maintenance of these canvas arts are very easy when compared to the traditional wall arts. However, the unique canvas arts often come with very high price tags. Most of the unique wall arts are out of reach for the people out there. Thankfully you can create your own wall art for decorating your home. Just keep on reading the simple steps mentioned below for creating unique wall arts for your home.

Step 1 Getting The Images

It is a well known fact that not all of us are born artists. People have a misconception that unique wall arts can be created only by great artists. It is true that great artists can produce very unique wall arts, creating a wall art for your home can be something different. This is where a good digital camera comes in handy. Todays digital cameras are very easy to use and you can shoot the picture of your liking (say) a great scenery or any other great spot. This image will serve as the wall art. You should make sure to shoot the pictures with high resolution settings.

Step 2 Transferring The Image To The Canvas

Once the picture is shot, you have to take it to a canvas art manufacturer. With the advancements in printing technology, any image can be printed to the canvas. All you have to do here is to deliver the HQ image to the wall art store and the canvas art will be ready. To the added advantage, you can get the canvas art installed with fixtures that will let you place the wall art in your home with ease.

Step 3 Installing The Wall Art

This is the easiest step in installing a wall art. These canvas arts can be made to be hung in a room or just pasted on the wall. Installation of the wall arts can be done on your own. If the wall arts are large, it is always good to get some professional assistance.

This is one of the ways to create cheap, unique wall arts for decorating your home.

A Sai is a weapon which is used in Martial Arts in pairs. This is the only weapon in martial arts which originally was not a farming tool but used for defending against the swords or to break them.

In this article we will learn how to spin and throw a Sai.

1- Choose a Sai of right size. Make sure that the dagger doesn’t extend beyond the elbow whilst holding.

2- In order to spin a Sai, you need to hold it in the right position.

3- Hold the Sai in your hands such that the blade is placed between the middle and index finger.

4- Close palm such that it is facing towards you.

5- Hold your arm outward with your shoulder at 45 degrees, elbow bent at right angle and Sai pointing towards ceiling.

6- Now open your hand and let the Sai drops outwards, towards the floor.

7- Wrist should be rotated outward and stop before the Sai hits the elbow. Also, slightly bend your wrist in downward direction, at the same time rotate palm outwards away from the face.

8- By closing your hand and lifting the wrist, lift Sai back up and pull back the blade towards the ceiling.
9- Turn the palm towards yourself by rotation at 180 degree of wrist.

10- This is how you can spin. After repeating over and over, you can easily master spinning.

11- Next is throwing. In order to through a Sai successfully towards your opponent, you should bring it above the shoulder. Make sure the dagger is pointing towards the backside and your palm is facing towards the side of your head. After this, let go of the Sai very quickly by riffling your wrist towards the opponent.

Please note, when learning the Sai, you will probably be dropping it a lot. Wear something to protect your feet. Dropping a Sai on your foot does not feel good.

Initially you will find it quite difficult to spin or throw a Sai but with a lot of practice you can master this skill.

Best known for his philanthropy and an extensive career in investment banking, Scott Mead has recently become more visible in the fine arts world, actively creating and showcasing his fine art photography most recently at the Royal Academy of Arts Summer Exhibition in Piccadilly, London.

Scott Mead was born in Washington, DC. When he was 13 years old, he received one of his grandfather’s cameras and a lifelong passion for photography was sparked. As a child he took photographs around his home, spending hours in the family darkroom developing prints and exploring the photography art form. Later, as an undergraduate student of American History and Literature at Harvard College, Scott Mead also studied visual arts and art history. It was during this time when Mead had the unique opportunity to study under some of America’s most well-known photographers: William Eggleston, Emmet Gowin and Minor White. In 1975 he used a complex photography technique to shoot a series of black and white photographs capturing rural New England. By combining a large format camera with a smaller lens and using advanced darkroom technology, Scott Mead was able to create images that were otherwise nearly impossible to achieve when taken. In 1977 he graduated and continued his studies as a Harvard Scholar at Emmanuel College, Cambridge University where he earned his M.Phil in 1979. And finally, in 1982 Scott Mead concluded his academic career with a law degree from University of Pennsylvania Law School.

After deliberating between a career in photography or in the investment banking field, Scott Mead decided to put his artistic pursuits on hold and accepted an offer to work at First Boston Corporation. From there, he moved to Goldman Sachs & Company, first working in the New York offices starting from 1986, and later relocating to London in 1988 to continue to expand and grow the company’s European presence. Mead worked at Goldman Sachs until 2003, worked a few years at Apax Partners as a senior advisor and chairman of the technology and telecommunications advisory board, and finally at the start of 2009 Mead co-founded a private merchant bank, Richmond Park Partners. As Scott Mead’s professional career grew over time, Mead always expressed a continued interest in the fine arts world. This passion was recently rekindled in 2009 when Mead discovered old negatives from his works in 1975, which had been in his attic and long forgotten for many years.

In 2010, Scott Mead displayed works from these years at Hamiltons Gallery in London. The solo exhibition, Looking Back, included 25 black and white prints taken from the time period between 1974 and 1977. The prints, mostly circular images inspired by his teacher at the time, Emmet Gowin, were created with a special technique that allows the viewer to see the identical perspective as seen through the eyes of the photographer, without the cropped edges that are commonplace in most rectangular photographs. All proceeds from the exhibition were donated to the Great Ormond Street Children’s Charity, specifically for the Gene and Cell Therapy Laboratory at the Great Ormond Street Hospital.

In 2011, two of Scott Mead’s photographs were accepted by the Royal Academy of Arts for its annual Summer Exhibition. One of the photographs, Evening Light, is part of the series of photographs taken during his college years also presented in the Looking Back exhibition. The second photograph, -Untitled- is another black and white photograph showing the ocean and closed beach umbrellas, under a cloudy sky with a haunting mood.

From the year 1769 to this day, the Royal Academy of Arts in London has held a summer exhibition recognizing the works of rising new artists in the contemporary art world along with established artist. This year marks the 243rd Royal Academy Summer Exhibition which showcases 1117 works including paintings, drawings, sculptures, photographs, films and architecture. The Royal Academy Summer Exhibition is known for being one of the largest open-submission exhibitions, allowing artists from all over the world to submit their works for consideration. This year the academy’s hanging committee received over 12,000 submissions from 27 countries and chose a select few from the pool of submissions to create the exhibition.

The Royal Academy of Arts was established by King George III in 1768 in order to promote the arts through education and exhibitions. In addition to its ongoing public exhibitions, the Royal Academy of Arts manages an academic institution, The Royal Academy of Schools, and also has a public library. The Royal Academy is governed by 80 artists who are also known as Royal Academicians. The requirements for an Academician include being a practicing artist wholly or partly in the UK. Each Academician is also given the opportunity to display his/her works during the Summer Exhibition. Some notable Academicians include David Hockney, Tracey Emin and Anish Kapoor. This year’s summer exhibition included works from Academicians Jeff Koons, Tacita Dean, Allen Jones, Jenny Saville, Anish Kapoor and Tracey Emin.

In addition to his professional work and artistic endeavors, Scott Mead is also an active philanthropist, donating time and money to support causes close to his heart including education, medical research, athletics and fine arts. Scott Mead founded the Mead Foundation in 1996 in order to provide grants and donations to a wide range of educational, medical and artistic initiatives. He also established the Mead International Fellows Program that provides financial support to law students who specialize in projects that support human rights and economic development within regions around the world. Scott Mead is on the executive committee of the Tate Foundation, helping with financial responsibilities in overseeing the Tate museum’s endowment across its four museum locations in the UK. Most recently, Scott Mead became a board member of New Look Foundation, a non-profit organization founded by recording artist Usher to help disadvantaged youth learn leadership skills and inspire a change in their local communities. Last, Mead donates to his alma maters, Harvard ,Cambridge and the University of Pennsylvania supporting academic and athletic programs.

Most martial arts and self defense students are taught how to defend against things like punches, grabs, kicks, and even weapon attacks. But, what about attacks, like a wall pin – where he has you shoved up and pinned against a wall, car, or other obstacle – where your attacker is using your surroundings as an aid for his assault?

While this article cannot teach you everything you need to know to escape from the exact attack you might find yourself in, it does offer some very powerful strategies and tactics that you can use to turn the tables on him during one of these very dangerous attack-types. So, if this is something that you think is important to add to your toolbox of techniques, then read on.

If not, then this article is definitely not for you.

I’ll assume that, if you’re still reading, you want to learn how to deal with this very common type of attack.

And, before I go into describing some of the strategies and tactics that I want to give you for surviving a wall-pin attack, I want to talk about something else that you must never forget. Okay?

That thing is this. You can never forget that a self defense situation is never like class training? What that means is that, many of the “invisible aspects” of your class – things like:

1) Speed
2) Timing
3) Intensity
4) Your partner’s intention to really damage you, and even…
5) The large, open space of the training area

Will usually be EXACTLY OPPOSITE from what you are used to!

You must be very mindful of these realities which exist in the world of self defense, but typically are not an issue in the realm of sport karate and mixed martial arts. Make sure that, if you are serious about really learning to defend yourself, that your training reflects these realities.

What does this have to do with the topic of this article?

Good question.

And the answer is… EVERYTHING!

Your attacker is not an idiot. He will do everything he can to make sure that he has the greatest advantage in the situation. He is there to win, not to see which of you is the better fighter!

And, that’s where the wall pin comes in.

This is where your attacker grabs or shoves you in some way, and shoves you face-first or backwards, against a wall, and then proceeds to lay his body weight into you to make sure that you can’t go anywhere.

In this moment, you must think outside the box if you’re going to escape effectively and turn things around.

That being said, here are a few strategies and tactics that can be used to get out of this dangerous type of situation:

1) Use the wall itself for leverage. Apply leverage against the stability of the wall to increase your own strength and shove your assailant back. This could provide you with a complete escape on one extreme, to just enough space on the other, to be able to get a punch or kick in against him.

2) Move laterally ALONG the wall. Remember that he is pushing you “into” the wall. If you can remember that he doesn’t have you caged on all sides, you can use the openings to your left and right as escape avenues. Then, once free, you can apply your conventional punching, kicking, or grappling skills.

3) Use deception. When you hit the wall, using your best breakfall and receiving skills to minimize damage, act as though the impact was much worse than it really is. Relax as though you have been dazed or knocked unconscious. Then, when he adjusts to your apparent condition, and the fact that he now has to hold up your dead weight, explode into action and take the fight to him!

Remember that effective self defense takes into account that you WILL be the underdog – that your attacker will have the upper hand – and that, it WON’T be “fair.” So, you must get over the sick sense of “fair-play” and flat-out wrong information that is being passed around as self defense by poor instructors with absolutely no real-world experience!